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about

Gabriela Nemitz is Brazilian and Claudio Arditti is Argentine. Gabriela is a model and psychologist by profession, from a family of musicians; Claudio has been working in the electronic scene for about 30 years, in addition to producing music. Together, creatively integrate themselves into the Chile-based duo VosyYo, a new electronic music project - seriously, a brand-new one since they only started working together a few months ago. There’s no major stylistic unity in the production line, as part of the magic of their productions which blur the sound lines inspired by styles as samba, rock, rap and folk. Moreover, the aim is always the same: to give listeners an opportunity to dive into different worlds within electronic music, a diverse package of emotions - from euphoria, happiness and exaltation to melancholy.

Originally was born in Chile, but the project's productions tend to be more closely linked to Argentine and Brazilian aesthetics, but nothing surprising, given the members' origins. Claudio started playing since he was a little boy with cassette tape and vinyl, soon he was exploring each new manner of making music that was emerging, for several years now he's a music producer, with his personal namesake project and two other dual projects - INMD and Zsanchos. In turn, Gabriela began to explore her skills in this area at the same time that she begins her involvement with the duo and, clearly, a penchant for music is evident and she adds a ballsy, blow-’em-away tone with her voice. In addition to their convergent desire to produce, somehow, VosyYo is a homegrown electronic project having started as a joke, mainly recording sounds and voices in their spare time at home, and after warm feedback the project takes shape, standing in direct opposition to the sameness.

Unlike many other releases, this thirty-fifth is more expressive than introspective. As a glimpse of fresh Chilean electronic music, the three-track EP 'Gata Groovera EP' includes at its composition a cover, an original track and a remix, however simple even in duration, about 18 minutes, it overflows innovative rhythmic bending, encompassing a range of esoteric feel-good electronica , obscure in meaning surroundings, sometimes shrill, mysteriously metallic moods. The cover track 'Garota de Ipanema' - Brazilian bossa nova and MPB song, composed by Antônio Carlos Jobim and written by Vinicius de Moraes in 1962 - is basically thought of the longing and nostalgia that this song brings to Gabriela and to many other Brazilians who are far from the country or who simply remember the old glamour good-times. In an allegorical and transverse way, VosyYo recreates this Brazilian classic with elegance in details. The second track, the original that gives the EP its name, makes reference to the favela, the stigmas and stereotypes that accompany it - criticizing the image of a society polarized between those who are “integrated” and those who are “excluded”, using enthusiastic grooves and a poetic voice that resonates in protest. And to conclude the repertoire, the Brazilian guest-remixer AVGVSTVS delivers an uplifting reshaped reggaeton, with driven and spontaneous elements.

Unified by a real-life relationship, certainly VosyYo still has a lot to reveal of its productions, but with a debut EP, with peaks and troughs, and giving lots of different dynamics, they already set an eclectic affair as their motto. Then, between geographic and mental journeys, VosyYo plays fearlessly, using several references to build what we ultimately call 'music for beach chairs', the one to relax and to dissolve in the freshness of whatever you want to.

credits

released May 7, 2020

Credits\
Artwork\ Orfeosun
www.instagram.com/orfeosun/
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Layout\ Bruno Blancato
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Mastering\
Tracks 01 & 02\ Arthur Carneiro 'El Peche'
soundcloud.com/elpeche
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Track 03\ Murillo Faleiros 'mandruvá'
soundcloud.com/mandruvamusic

Music\
Tracks 01 & 02\ VosyYo (Claudio Arditti y Gabriela Nemitz)
soundcloud.com/vosyyo
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Track 03\ AVGVSTVS
soundcloud.com/avgustvs

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Casa Caos Brazil

Brazilian based netlabel of passionate, chaos­contaminated bodies.

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